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Just reach out: Peter Aspden on making culture accessible

A brush with institutional hauteur in Nice makes the FT’s arts writer long for the determinedly inclusive museums and galleries of the UK  


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Fatale attraction: Ludovic Hunter-Tilney on the screen seductress

In the 1980s and 1990s cinema audiences were in thrall to powerful women in erotic thrillers such as Body Heat and Basic Instinct. But whatever became of the genre and is it ripe for a comeback?  


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Art of the unexpected: Deborah Bull on measuring cultural impact

The Director of Cultural Partnerships at King's College London reflects on the growing appetite among artists and arts organisations for evidence about the impact and value of what they do  


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Satire without a sting: Peter Aspden on ‘W1A’

The BBC’s self-parodying show goes too far – in the direction of complacency, complicity and all-round smugness. But comedy can be a remarkable force for exposing the flaws of the society from which it springs  


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Show, don’t tell: Peter Aspden on documentaries

Driven by ubiquitous video technology, a new wave of films – such as the award-winning ‘Gaza: Chronicles of a Conflict’ – favours rawness and immediacy over explanation and context  


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Money trouble: Peter Aspden on arts funding

Art and Mammon are uneasy bedfellows: witness the recent furore over the Sydney Biennale. The solution, says the FT’s arts writer, is for institutions to embrace debates over their funding, not run from them  


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Rubble cause: Peter Aspden on ‘Ruin Lust’

Tate Britain’s new show explores our fascination with ruins. But where yesterday’s aficionados looked to the remains of ancient civilisations, today’s ruinous visions are of the future  


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Object lessons: Peter Aspden on memorabilia

A militarist matchbox, a spoof banknote, a Lennon album. . . the FT’s arts writer presents a very personal history of the past half-century in 10 objects  


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Showy business: Leo Robson on the ‘McConaissance’

Matthew McConaughey’s career revival provides a neat case study of how an actor can wrest back control of his image. It also tells a broader story about our weakness for a certain kind of Acting.  


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Social network of the damned: Peter Aspden on hell

Forget Sartre. The Royal Opera’s new ‘Don Giovanni’ suggests that, in a hyper-connected world, hell is the absence of other people  


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Folk/rock: Peter Aspden on Pete Seeger

The death of the veteran folk singer prompted numerous tributes to his integrity and idealism. But it was his mythical spat with Bob Dylan that really defined his era’s cultural politics  


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Degree show: Peter Aspden on Derek Jarman

As King’s College, London, devotes an exhibition to its charismatic alumnus, the FT’s arts writer reflects on the artist and film-maker’s earliest inspirations  


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Wig interpretation: Peter Aspden on ‘American Hustle’

Christian Bale’s hairpiece in the Oscar-nominated movie caper epitomises the preposterousness of the 1970s – but the decade’s unabashed lack of polish looks increasingly appealing in our technology-dependent age  


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A Banksy in the boardroom: Peter Aspden on corporate collections

Businesses like buying contemporary art to show off their forward-thinking and investment savvy. Fair enough – but it still sits oddly with artists’ desire to provoke and subvert  


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Culture versus clutter: Peter Aspden on ‘Stuffocation’

In a persuasive new book, the trend forecaster James Wallman says that our appetite for material possessions is giving way to a hunger for experiences. How will that shift be reflected in the arts?  


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Critical voice: Peter Aspden on Ai Weiwei

As Miami’s sparkling new Perez Art Museum hosts a big retrospective of the Chinese artist’s work, the FT’s arts writer reflects on culture’s role in challenging oppression  


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Sporting life: Peter Aspden on Russian Realism

An exhibition of Soviet-era sporting paintings shows how, even in a repressive political climate, artists still made work with real human insight  


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'Alien invasion in the G.L.A.C.' by Mohsin Hamid

Author Mohsin Hamid reads his short story 'Alien invasion in the G.L.A.C.', commissioned by the Financial Times for the new year.  


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Jay-Z and Pablo P: Peter Aspden on Art Basel Miami Beach

The FT’s arts writer finds that, for all the acquisitive buzz around art fairs, they still richly cater for people’s inquisitive side too  


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Restoration drama: Peter Aspden on Kenwood House

Efforts to restore historic buildings to their original splendour tell us as much about today’s tastes as they do about yesterday’s  


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Space adventure: Peter Aspden on Philippe Parreno

The French conceptualist’s exhibition at the Palais de Tokyo is a sense-scrambling rethink of the relationship between art and the environment in which it appears  


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Sitcom nation: Peter Aspden on daytime TV

They seem always to be on, but ‘Rules of Engagement’, ‘The Big Bang Theory’ and their ilk shouldn’t be taken for granted: these immaculately crafted, relentlessly inoffensive series open a window on American society  


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Nap music: Peter Aspden on the UK’s first ‘sleeping gig’

A concert sponsored by insurance company Direct Line aims to help time-challenged audiences snatch some shut-eye – but a wakeful FT arts writer finds that the relationship between art and sleep is not a straightforward one  


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Soul power: Peter Aspden on icons

The market for Orthodox icons has been revivified by Russian money in recent years – yet the genre’s spiritual charge and innate conservatism make it a challenging field for collectors  


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Bryte star: Peter Aspden on Nick Drake

Neglected in his lifetime, the singer-songwriter is now revered, as an event devoted to his album ‘Bryter Later’ demonstrates. But it’s doubtful his genius would have flourished any better in today’s impatient world, the FT’s arts writer says  


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Auteur ego: Peter Aspden on Bertolucci

A new film portrait of the Italian director reveals a man unafraid to confront difficult questions. It’s a kind of artistic responsibility that now feels old-fashioned, the FT’s arts writer says  


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Tomorrow people: Peter Aspden on FutureFest

The Futurists’ fervent belief in progress heralded disaster; now we worry about what the future will bring. But the FT’s arts writer finds grounds for optimism – and an unexpectedly hippy vibe – at a London ideas festival  


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A messy business: Peter Aspden on sex

A forthcoming season on Channel 4 aims to demystify our sexual behaviour – to be ‘open’ and ‘honest’ about a 'normal part of all our lives'. Good luck with that, says the FT’s arts writer  


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Something old, something new: Peter Aspden on the classic with a twist

Spicing up traditional settings with a dash of contemporary style has become a cultural commonplace. But let’s not pretend it’s anything more than an aesthetic compromise, the FT’s arts writer says  


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Puccini vs the Twitterverse: Peter Aspden finds shelter in the stalls

Culture is becoming a refuge for the digitally brutalised: an evening at the opera, or cinema, or theatre, is where we go to escape technological overload, the FT’s arts writer argues  


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Look, don’t sketch: Peter Aspden on the V&A’s blockbuster dilemma

Citing pressure of visitor numbers, the museum banned sketching at its recent “David Bowie Is” exhibition – a move that shows how hard it is for curators to reconcile accessibility and academic values, the FT’s arts writer says  


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Look at me: Suzi Feay on the perils of self-indulgent art

“Those who live to please, must please to live.” But these days it’s often our privilege to watch the performers having a good time  


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Party on! Peter Aspden on beach bar music

It’s loud, insistent, adolescent and playing now at a Mediterranean resort near you. And as the FT’s arts writer finds, there’s no way you’ll ever get the volume turned down  


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Art for all: Erica Wagner on the Gramsci Monument

Thomas Hirschhorn’s South Bronx installation brilliantly embodies the belief that art should be part of everyday life  


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The Great Remembrance: Jan Dalley on the first world war centenary

The sheer scale of suffering in the 1914-18 conflict is hard to grasp. As preparations begin for the centenary commemoration, the FT’s arts editor argues that culture has a vital role to play  


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Going it alone: Erica Wagner on creative independence

Omnicom/Publicis, Penguin/Random House – the cultural landscape is dominated by ever fewer, ever bigger businesses. Yet artists and audiences alike are finding benefits in shunning their embrace  


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Spasticus artisticus: Peter Aspden on Ian Dury

The late pop singer, whose work has just gone on show at London’s Royal College of Art, was a far more nuanced figure than his punk image would suggest, argues the FT’s arts writer  


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Sound of sci-fi: Peter Aspden on the Dr Who Prom

Braving Daleks and Cybermen at the Royal Albert Hall, the FT’s arts writer reflects on the unlikely synergy between classical music and a children’s sci-fi series  


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Ordinary megastar: Raphael Abraham on Amy Winehouse

London’s Jewish Museum may seem an odd venue for an exhibition about the late pop diva. But the show is not so much a celebrity portrait as a way for a family to reclaim its daughter, says the FT’s assistant arts editor  


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Howdy, Podner! Peter Aspden on Las Vegas’s heritage impulse

The Nevada resort, a byword for pleasure-seeking in the here and now, is starting to take its history seriously, says the FT’s arts writer  


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After the spring: Peter Aspden on the Shubbak Festival

Visa problems and nervousness on the part of potential sponsors have made life hard for London’s festival of contemporary Arab culture. But as the Arab Spring gives way to harsher realities, such forums are needed more than ever, says the FT’s arts writer  


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Going soft: Peter Aspden on the cultural wealth of nations

Countries are vying to project their worth through art, sport and broadcasting. But ‘soft power’ is not always easy to control, says the FT’s arts writer  


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History's second draft: Peter Aspden on theatre and the news

Where there is a public clamour for explanation, writers and artists should be unafraid to step in, says the FT's arts writer  


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Hobson-Jobson: Julius Purcell on linguistic “barbarisms”

The thought of French purists fretting over ‘les snackbars’ has long-tickled English-speakers  


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Age of innocence? Julius Purcell on the cultural legacy of 1913

Pre-first world war Vienna has some curious parallels with Spain today  


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A different league: Peter Aspden on our soccer psychosis

The praise lavished on football’s retiring greats has been wildly overblown, says the FT’s arts writer. Other cultural pursuits are far worthier of grown-ups’ attention  


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Focus, schmocus: Peter Aspden on distraction

As Margate’s Turner Contemporary gallery celebrates curiosity, the FT’s arts writer does his best to concentrate on the mind’s ability to wander  


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The US connection: Peter Aspden on cinema’s exception culturelle

Europe’s film-makers want protection from the might of Hollywood. That’s understandable, argues the FT’s arts writer, but also wrong-headed: the two traditions are deeply intertwined  


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Take it easy: Peter Aspden on The Eagles’ mellow magic

As a new documentary profiles the soft rock megastars, the FT’s arts writer reflects on their dramatic fall from grace – and their enduring appeal  


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Shock of the nude: Peter Aspden on Qatar’s statue problem

Doha’s aspiration to become a global centre for culture is admirable – its squeamishness over ancient Greek sculptures less so, says the FT’s arts writer  


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